On 24-27 June 2025, several C4DM researchers will participate at the 2025 International Conference on New Interfaces for Musical Expression (NIME 2025). Once again, this year's edition will have Bela as an official sponsor.
As in previous years, C4DM will have a strong presence at the conference, both in terms of numbers and overall impact. The below papers authored or co-authored by C4DM members will be presented at the paper track:
- (De)Constructing Timbre at NIME: Reflecting on Technology and Aesthetic Entanglements in Instrument Design, by Charalampos Saitis, Courtney N. Reed, Ashley Laurent Noel-Hirst, Giacomo Lepri, and Andrew McPherson
- Designing Percussive Timbre Remappings: Negotiating Audio Representations and Evolving Parameter Spaces, by Jordie Shier, Rodrigo Constanzo, Charalampos Saitis, Andrew Robertson, and Andrew McPherson
- Sonicolour: Exploring Colour Control of Sound Synthesis with Interactive Machine Learning, by Tug F. O'Flaherty, Luigi Marino, Charalampos Saitis, and Anna Xambó Sedó
- pybela: a Python library to interface scientific and physical computing, by Teresa Pelinski, Giulio Moro, and Andrew McPherson
- Waveform Autoencoding at the Edge of Perceivable Latency, by Franco Caspe, Andrew McPherson, and Mark Sandler
- Drum Modal Feedback: Concept Design of an Augmented Percussion Instrument, by Lewis Wolstanholme, Jordie Shier, Rodrigo Constanzo, and Andrew McPherson
- Making the Immaterial Material: A Diffractive Approach Toward a Politics of Material Culture Within NIME, by Brittney Allen, Andrew McPherson, Alexandria Smith, and Jason Freeman
- The Sparksichord: Practical Implementation of a Lorentz Force Electromagnetic Actuation and Feedback System, by Adam Schmidt, Jeffrey Snyder, Gian Torrano Jacobs, Joseph Gascho, Joyce Chen, and Andrew McPherson
- Augmentation of a Historical Harpsichord Keyboard Replica for Haptic-Enabled Interaction in Museum Exhibitions, by Matthew Hamilton, Michele Ducceschi, Roberto Livi, Catalina Vicens, and Andrew McPherson
- Negotiating Entanglements in the Composition and Curation of an Ultrasonic Art Installation, by Nicole Robson, Andrew McPherson, and Nick Bryan-Kinns
Music track
- Diffy, by Jordan Shier; Xiaowan Yi
Workshop
- Entangled Listening: Exploring Relational and Diverse Listening Practices for DMI Design, by June Kuhn, Brittney Allen, Nicole Robson, and Andrew McPherson